David Annandale

BOOKS

Aconyte Author Page

Black Library Novels, Novellas, Audio Dramas and Short Stories

I know. I know. I’ve fallen way behind in updating this page. So click on the links above to get to all my work with Aconyte and Black Library. The links below should still work too.

Warhammer 40,000

                                 

Horror:

     

The Jen Blaylock thrillers:

          

AUDIO DRAMA

SHORT FICTION

 

“The Conversion.” in       

 

“The Traveller.” in            

“The Vorago Fastness.” in 

“The Carrion Anthem.” in   

“Lure.” Dead But Dreaming 2. Ed. Kevin Ross. Miskatonic River Press, 2011. 177-86. Print.

“Whorlwind.” A/cross Sections: New Manitoba Writing. Eds. Katherine Bitney and Andris Taskans. Winnipeg: Manitoba Writers’ Guild, 2007. 232-41. Print.

“Erato’s Sister.” Cthulhu Sex Magazine 2.13 (2003): 7-10. Reprinted in Horror Between the Sheets. Eds. Michael Amorel et al. Landover Hills, MD: Raw Dog Screaming Press, 2005. 15-21. Print.

“Final Draft.” Dead But Dreaming. Eds. Keith Herber and Kevin Ross. Boone, IA: DarkTales Publications, 2002. 181-94. Print.

“Panopticon.” The Asylum, Bedtime Stories for the Criminally Insane, Vol. 2: The Violent Ward. Ed. Victor Heck. Boone, IA: DarkTales Publications, 2002. 171-8. Print.

“Tremendum.” Tesseracts 7. Eds. Paula Johanson and Jean-Louis Trudel. Edmonton: Tesseract Books, 1998. 248-59. Print.

“After the Hook.” Horrors! 365 Scary Stories. Eds. Stefan Dziemianowicz et al. New York: Barnes & Noble, 1998. 7-8. Print.

“Immanence.” Horrors! 365 Scary Stories. 299-301. Print.

“Shift.” Horrors! 365 Scary Stories. 554-5. Print.

“Via Influenza.” Northern Frights 4. Ed. Don Hutchison. Oakville, ON: Mosaic Press, 1997. 1-16. Reprinted in Wild Things Live There: The Best of Northern Frights. Oakville, ON: Mosaic Press, 2001. 147-60. Print.

“Grue Love.” 100 Wicked Little Witch Stories. Eds. Stefan Dziemianowicz et al. New York: Barnes & Noble, 1995. 301-7. Print.

“Sick.” Aberrations 8 (1993): 8-13. Print.

The Reptile Dialogues. Winnipeg: Pachyderm Press, 1992. Print.

“From the Desk of.” can(N)on 4 (1991): 18-30. Print.

“Dismemberment.” Prairie Fire 12.1 (1991): 18-23. Print.

“Contest.” can(N)on 2 (1990): 41-4. Print.

PLAYS

The Smiling Crematorium. Winnipeg and Edmonton Fringe Festivals, Summer 2003.

Phantom Limb. Winnipeg and Edmonton Fringe Festivals, Summer 2002.

Hammer of Witches. Edmonton Fringe Festival, August 2001.

The Switchblade Oratorio. Winnipeg and Edmonton Fringe Festivals, Summer 2000.

Revulsion. Edmonton Fringe Festival, August 1998.

Alpha Male. Edmonton Fringe Festival, August 1996. Remounted by the Black Hole Theatre Company, University of Manitoba, January 2000.

The Real Thing, or, How You Gonna Keep ‘em Down on the Farm After They’ve Read Lacan. Write On the Edge Cabaret, Catalyst Theatre, 1995.

Vivisect. Write On the Edge Cabaret, Catalyst Theatre, 1994.

ARTICLES

“Rabelais Meets Vogue: Lady Gaga’s Construction of Carnival, Beauty and the Grotesque.” Performance and Identity: The Music of Lady Gaga. Ed. Richard Gray. Forthcoming.

“Dark Imperative: Kant, Sade, and Catholicism in Jess Franco’s Exorcism.” Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery. Ed. Regina Hansen. Jefferson, North Carolina: McFarland, 2011. 244-55. Print.

“Avatars of Destruction: Cheerleading and Deconstructing the War on Terror in Video Games.” Reframing 9/11: Film, Popular Culture and the “War on Terror.” Eds. Jeff Birkenstein, Anna Froula and Karen Randell. New York: Continuum, 2010. 97-106. Print.

“Hiding in the Plain’s Sight: Prairie Secrets, Prairie Horror, and the Undermining of Prairie Nostalgia in Phillip Ridley’s The Reflecting Skin.” English Quarterly 40.1/2 (2008): 10-13. Print.

“Legacy of Betrayal: The Trouble with Film Adaptations of Video Games.” Forms of Writing: A Rhetoric, Handbook, and Reader. 5^th ed. Eds. Kay L. Stewart et al. Toronto: Pearson, 2009. 287-92. Print.

“The Subversive Carnival of Grand Theft Auto: San Andreas.” The Meaning and Culture of Grand Theft Auto. Ed. Nate Garrelts. North Carolina: McFarland, 2006. 88-103. Print.

“The Waspish Charm of Monster from Green Hell.” Scary Monsters Magazine 54 (2005): 28-30.

“A Monster for All Seasons: The Many Symbolic Roles of Godzilla.” G-Fan 69 (2004): 18-21. Print.

“Manitoba Madness: Screenwriter George Toles.” The Phantom of the Movies’ VideoScope 51 (2004): 23-5. Print.

“‘Horror Has Its Ultimate, and I Am That’: Severing the Bonds of Identity in The Brain That Wouldn’t Die and The Head.” Horror at the Drive-In. Ed. Gary D. Rhodes. Jefferson, North Carolina: McFarland, 2003. 129-39. Print.

“After the Strip Search, Would You Like a Copy of My Book?” WordWrap 20.5 (2003): 8. Print.

“Guerrilla Vamping: Vampyros Lesbos, Becoming-Woman and the Unravelling of the Male Gaze.” Paradoxa 17 (2002): 257-70. Print.

“I Sing the Body Dismembered: Dario Argento and the Dance of Death.” Virus 23 “$” (1992): 39-43. Print.

“Urban Renewal: A Hero History of Godzilla.” Amazing Heroes 165 (1989): 38-42. Print.

PAPERS

“Space as Satire in Grand Theft Auto.” Atmosphere 2011: Mediated Cities. University of Manitoba, February 4, 2011.

“Rapture of Nostalgia: Notes on the Ideologies of Affect in the BioShock Series.” Working with Feelings: Affect and the Practice of Everyday Life. University of Manitoba, March 12, 2010.

“Hiding in the Plain’s Sight: Prairie Secrets, Prairie Horror, and the Undermining of Prairie Nostalgia in Phillip Ridley’s The Reflecting Skin.” The Prairies in 3-D: Disorientations, Diversities, Dispersals. University of Manitoba, September 28, 2007.

“Fiend Without a Place.” The Prairies: Lost and Found; University of Manitoba, September 25, 2004.

“Waking Up from the American Dream: The Horror of Memory in Brad Anderson’s Session 9.” Authenticity and Contention (Canadian Association of American Studies); Winnipeg, October 17, 2003.

“King Kong Versus Godzilla: Hollywood Film and the Global Distortion.” Globalization and Popular Culture; University of Manitoba; October 19, 2001.

“Necropolis Now! The City of Horror as Liberatory Nightmare.” ACCUTE Congress 2000; University of Alberta; May 24, 2000.

“Robots, Radium, and Radio Ranch: Gene Autry Sings the Deterritorializing Refrain.” Crossing the West(s): Inventing Frontiers; Banff; October 15 1998.

“Some Son’s Mother.” Thinking in 3-V: The Voice, the Verbal, the Visual; University of Alberta; April 5 1997.

“‘A Mistake Is Made!’: Glen or Glenda and Ed Wood’s Line of Flight.” Purveyors of Fine Spirits: Brewing Cultural Studies & The Cultural “Alement”; University of Alberta; April 13 1996.

“Carving Up the Field of Cultural Production: A Bourdieuian Analysis of Michele Soavi’s Bloody Bird.” Sixteenth International Conference on the Fantastic in the Arts; Fort Lauderdale; March 23 1995. Forthcoming in proceedings.

“Identity in Crisis: Radcliffe’s The Mysteries of Udolpho.” Research Seminars in Early Women; University of Alberta; January 25 1994.

“Horror, Graphics and the New Narrative.” St. John’s Conference on Popular Culture and Canadian Society; University of Manitoba; 1988.